TV roundup

Hey TV fans. Just a quick recap of stuff I watched this week, stuff I read about today, and one special show I've just fallen in love with.

Notable stuff I watched:
- Gossip Girl. I'll preface this by saying that I feel some sort of six-degrees-of-separation type of thing with this show. First of all, they've been filming this all down 27th street in NYC, and they've done a week or so right by where I work. (Their wardrobe trailers were outside my building... and I accidentally walked through their breakfast tent one day and saw some of the beautiful gentlemen cast members. Hell yeah. One of them even glared at me! Be still my heart.) Secondly, my coworker's friend wrote the books the series is based on. Anyway, I've gotta say, this show was pretty smutty. Which is not necessarily a bad thing. A good way to sum it up is that while I never watched The O.C., I'm not surprised that it's by the same creators. But Kristen Bell (Veronica Mars) is the narrator, and I love her. And I think it really captures the culture of the teenage set these days - with the sidekicks and the texting and the blogs and whatnot. It's interesting to me from a cultural perspective, and I always love a little drama. It's classic CW/WB, so I'll be tuning in again.

- Back to You. It's hard to judge sitcoms by their pilots. I was a little disappointed by this show's premiere. I'd flag it as mediocre so far. But hey, I'm not giving up on it just yet. Who doesn't love Kelsey Grammar?! Plus, it reminds me of Murphy Brown, News Radio and Mary Tyler Moore. So I'll hang in there.


Notable stuff I read:
- Tony Almeda is returning to 24 this season! Maybe the plot lines, character development, and, oh, say, anything interesting at all, will return too. We can only hope.

- Insight on Pushing Daisies from Slate.com: "...anyone who's seen the Pushing Daisies pilot has to wonder: How long can the studio keep up that expensive look? The same question applies to the premise—guy touches dead people, they come back to life; he touches them again, and they die permanently. The girl of his dreams dies. So, guy loses girl, guy touches girl, guy can never touch girl again." We'll have to see how that plays out. I've thought from the beginning that this might be one of those shows that would make out better as a movie. But here's hoping.

- NBC's co-chairman Ben Silverman threw a pre-Emmy party that included girls in underwear and a tiger in a cage. Formal attire only. Assumedly that applies to everyone but the g-string-clad women. And the tiger. So... there's that.

- "How to Sound Like an American." This Slate video article investigates how all these British actors drop their accents to sound so utterly American. (House is the best example. Damn, he's good.)

My new love:

HEROES. Seriously, I missed out last season by not watching this. Now I understand what all the hype was about. It's so much better than I expected!!! It's everything I always wished Lost and 24 could be. And for someone like me, who loves reading novels, the fact that this plays out like a novel is fantastic. The writing is phenomenal, the characters are so complex, and the plot is revealed just enough at a time. And like my sister said, the story arc was planned from the beginning, so nothing that happens is an accident. Plus, I love superhero stories. So this is like my dream show. I am wondering, though, how this got scheduled in a 9pm time slot. It's pretty graphic, racy, dark, and scary. (Especially if you watch it with all the lights off and only candles lit, like I've been doing. Very "Scary Stories to Tell in the Dark"-ish.) Anyway, seriously, watch this show. I always knew I'd like it, but I never knew I'd love it to the point of addiction, which is how I feel now. Season 2 starts Monday, but you should DVR it, Netflix the season 1 DVDs right now, and have a marathon over the weekend, like I'm doing, so that you can start watching season 2. (You definitely have to start with season 1.) I'm holding out hope that it won't lose momentum in season 2. This show is extremely powerful. And you know what they say... with great power comes great responsibility. Crossing my fingers that that means season 2 plays out just as fantastically as season 1!

Thank God You're Here!

Here are my TV favs of the past week!!:

Thank God You're Here: If you used your DVR or TiVo to zip through commercials with celebs in funny costumes (Jason Alexander, Angela from The Office, Kevin Nealon, Mo'Nique), you should have payed more attention. They were commercials for NBC's new comedy improv hour that tests the mettle of some of your favorite funny celebs. I'm not sure when this show's usually on, but Monday night we were treated to two one-hour episodes. I've gotta tell ya, this show ended up being way funnier than I thought it would be. If you like Whose Line is it Anyway or you're in to improv at all, you've got to watch it. If you've always wondered whether comedian celebs are funny without clever script writers whispering in their ears, you've got to watch it. If none of these apply to you, but you have a pulse, you should watch it anyway. The premise of the show is that celebrities who think they're funny or good at improv are dressed up in costumes they've never seen before, and led to sets they've never been on, to play characters revealed to them once they get on the set. Some examples: a game show host, a mountain climbing expedition leader, an excavating professor, a doctor hawking his innovative (read: sketchy) product on a talk show. The other "characters" in the scene are in on the joke and great at improv, directing the scenes by prompting (or trapping) the stars into thinking on their feet. For instance, a character said to the star who stepped on to a game show set: "Remind the audience how this game is played!" I'll admit that I'm a little wary, since the show isn't live and is thoroughly edited. But if you can get past that, it's really worth a watch. (And if you watch ANY reality TV at ALL, you should be able to get past it. I mean, hello people, not only is reality TV scripted and brilliantly edited, but scenes are filmed multiple times to get different camera angles!) So basically, get past it and tune in -- I laughed for two hours straight.

Lost: Girl-on-girl catfight in the jungle. Guys, I bet you loved it. I'm a straight female, and I even loved it. Good stuff.

ANTM: Just a few comments... Thank you Tyra for admitting you guys totally screwed up Brittany's hair, and thanks for offering to fix it. Cuz I really can't stand watching that ratty mess for another week. 50 Cent pushed Jael into the pool. Can you blame him? Sarah the Pose-y Photographer got sent home. Good. Natasha's still a crazy mess. Even better. Whitney called the other models "skinny bitches." Amen. Nicole Richie stirred up trouble. I'm shocked. (Ok, I'm actually laughing my ass off.) Renee got hers. Finally. And last but not least... Wholahay? I love this show.

The Office: I think this about sums it up: STAB ME IN THE HEART. I can't take any more of this Pam/Jim torture. That scene at the soda machine felt like water torture to me. But things are looking up -- Pam and Roy are officially over. Did the scene in the diner feel like foreshadowing to anyone else? I'm well aware that Pam and Jim will never really get together (see: X-Files' sexual tension success vs. Moonlighting's sexual fulfillment disaster... these writers aren't stupid), but Roy's encouragement of the JAM pairing makes me hope Pam takes some action. Karen was especially horrible this week. Might I remind you of the moment in the break room when she snipped at Jim to get back to selling paper so he could take her on a trip? Yikes. Michael Scott is still hilarious, and his inexplicable and unfounded hatred of Toby is one of my favorite parts of The Office. Thursday's Dwight-As-Superhero storyline, besides being a shameless plug for NBC's Heroes, was absolutely hilarious and completely consistent with the characters. That's what I love most about The Office. Well done, writers. Every single week.

Grey's: Just kidding. No new episode, yet again. Come on, Grey's! I'm sick of repeats. You think having Meredith die and George and Izzy get it on during Sweeps exempted you from new storylines?! Seriously?!

American Idol: I'm watching it as I write this, so I'll just give a few gut reactions. Jenny from the Block was the guest judge, and unlike most of the other guests, she actually gave the contestants vocal coaching to make their songs better (or at least more Latin-ish). Yay for that. But if this was Latin week, where were the hot Latin men, I ask you?! Anyway, on to the performers. Last week Mindy Doo used Sanjaya's flat iron; tonight she used his hair teaser. Jordin reminds J-Lo of Michael Jackson? What was it, the side ponytail and girlish facial features? Yikes. Hot-pants Haley's got to go. And I'm sure Sir Sanjaya the Terrible is staying yet again... but at least he looks less like an adolescent female with that facial hair.

So there's my favs of the week! Next week, watch Thank God You're Here. It really is funny.

Requiem

I just wanted to offer a requiem for Studio 60 as it goes the way of most of the rest of Aaron Sorkin's work. I'm sick of listening to people bitch about how it's too autobiographical and muttering about Sorkin's self-importance and megalomania. (Hello people, he's a writer/producer. And a good one, at that. What do you expect?) Granted, I'm slightly biased - I happen to be one of the biggest Sports Night fans you'll ever find. (For those of you who haven't had the pleasure, Sports Night is a brilliant 30-minute comedy Sorkin wrote in the late '90s that only survived two seasons. Dear smart people: get it from Netflix. You'll thank me.) But regardless, I love Sorkin's quick, witty dialogue - and I think he's a fricking genius.

I've read all the articles; I hear the complaints. "Why should we CARE about yuppie television writers on a Saturday Night Live- type show? It's a bad premise." I disagree. Why should we CARE about people who work in an office in Scranton, PA? Why should we CARE about fictitious people stranded on a fictitious desert island? Why should we CARE about doctors in love in a hospital? I mean, really? Is that the argument we're going to use? Why should we CARE about a group of friends who live in apartments? Why should we CARE about bizarre friends who live in New York City and talk about nothing? It doesn't matter why. Good shows are good shows, yuppies or not.

I'll concede that last week's episode was a little in-your-face with its point. (We GET it. The Hollywood Ten. We know. The history of the network. Great. Afghanistan. Okay. Moving on.) But as far as writing, pacing, and story arc, you can't deny it was a lovely work of craftsmanship. Plus, come on - these kinds of topics are smart. (Although, as I'll get to in the next paragraph, that's clearly the problem.) And if you're watching this show and not chuckling at or at least appreciating the dialogue, you're not paying close enough attention. Or you don't get the references. (In which case, your friendship with me is on the rocks.)

And here we are at the problem.

The rumors and articles say NBC is planning to replace Studio 60, as well as most of its shows in the 8-9 timeslot, with game shows and reality TV. Shoot me now. Seriously. We're canning smart, funny dialogue and complex characters for mindless game shows and people eating bugs?? Really?! I don't understand why people watch "Deal or No Deal," except possibly to witness Howie Mandel's obsessive-compulsive behavior first-hand. Besides that, it's a game that doesn't even require any skill! (At least on American Idol they have to sing something and on Millionaire they have to answer questions.) I've never understood it, and it's breaking my heart that those kinds of shows are getting the ratings at the expense of quality TV.

Speaking of quality TV - as I learned in Bob Thompson's quality TV class, the highest quality shows always take a long time to gain a fan base. "Long time," as in, years. Some of the best shows in television's history never would have made it past a season if the producers and network executives were trigger-happy and hadn't given them a chance despite dwindling ratings. (Steven Bochco, where are you?! Please go talk to someone at NBC.) But today quality doesn't matter. Game shows and bug eaters (much to my chagrin and utter disgust) are getting the ratings -- and thus are getting the highest ad revenue. Which is what it ultimately comes down to.

All I know is, the people participating in the Nielsen ratings are a bunch of idiots. And extremely infuriating.

The fact that Studio 60 (a show about bringing a network back from the depths of crappiness) is getting cancelled just says it all. Especially with SNL in its abysmal state. (I'm not getting the humor on there at all anymore. Seriously, I haven't laughed once. Oh Will Ferrell, where art thou?) Maybe Aaron Sorkin should take over NBC instead of writing a TV show about it.

In an episode a few weeks ago, Jordan (the producer on Studio 60, played by Amanda Peet) chose to buy quality programming over a crappy reality tv show. Sorry, Sorkin - wishful thinking.

NO DEAL. Ugh.